Activities per year
Ongoing project that explores the function of musical comedy on the West End as a vehicle for social and cultural identity formation, critique and comment, in the period 1890-1939. Primary considerations include the representation of Empire, Union and nation (British/English elision) and the personal identities of class and gender.
|Short title||British Musical Theatre|
|Effective start/end date||3/11/14 → 1/11/17|
Explore the research topics touched on by this project. These labels are generated based on the underlying awards/grants. Together they form a unique fingerprint.
- 1 Oral presentation