Abstract
This paper is an exploration of the processes used and ideas behind an animated full CGI feature film project that attempts to reach blockbuster production values, while retaining Art House sensibilities. It examines methods used to achieve these production values in an academic production environment and ways costs can be minimized, but high quality levels retained. It also examines its status as an Art House project, by comparing its narrative design and use of symbolism to existing works of Art House cinema.
| Original language | English |
|---|---|
| Pages (from-to) | 368-374 |
| Number of pages | 7 |
| Journal | Leonardo |
| Volume | 51 |
| Issue number | 4 |
| Early online date | 10 Aug 2018 |
| DOIs | |
| Publication status | Early online - 10 Aug 2018 |
| Event | SIGGRAPH 2018 - Vancouver, Canada., Vancouver, Canada Duration: 12 Aug 2018 → 16 Aug 2018 https://s2018.siggraph.org/ |
Keywords
- animation
- motion-capture
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Dive into the research topics of 'Alienating the familiar with CGI: a recipe for making a full CGI Art House animated feature'. Together they form a unique fingerprint.Press/Media
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Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature [Long], mentioned as a highlight of the SIGGRAPH 2018 Art Gallery
Alexander Counsell & Paul Charisse
17/05/18 → 18/05/18
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Press/Media: Research cited