Abstract
This article focuses on the Bank of Greece headquarters building in Athens, which has been a site of recurring political expression in contemporary crisis. It is based on a corpus of graffiti writings from the particular building gathered over the span of five years (2010–15), a rather politically dense period. Mapping the constant appearance, removal and reappearance of the writings through a series of architectural drawings, the aim of this article is to explore visual means of understanding graffiti as a palimpsestic phenomenon. The article is structured after the scale of the drawings – from the city scale, to the building and finally the surface – introducing an architectural method of reading and writing graffiti.
| Original language | English |
|---|---|
| Pages (from-to) | 243-262 |
| Number of pages | 20 |
| Journal | Journal of Urban Cultural Studies |
| Volume | 7 |
| Issue number | 2-3 |
| DOIs | |
| Publication status | Published - 1 Sept 2020 |
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