Biostratigraphy and disability art: an introduction to the work of Jon Adams

Jon Adams

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Abstract

Geographical Aesthetics places the terms 'aesthetics' and 'geography' under critical question together, responding both to the increasing calls from within geography to develop a 'geographical aesthetics', and a resurgence of interdisciplinary interest in conceptual and empirical questions around geoaesthetics, environmental aesthetics, as well as the spatialities of the aesthetic. Despite taking up an identifiable role within the geographical imagination and sensibilities for centuries, and having what is arguably a key place in the making of the modern discipline, aesthetics remains a relatively under-theorized field within geography. Across 15 chapters Geographical Aesthetics brings together timely commentaries by international, interdisciplinary scholars to rework historical relations between geography and aesthetics, and reconsider how it is we might understand aesthetics. In renewing aesthetics as a site of investigation, but also an analytic object through which we can think about worldly encounters, Geographical Aesthetics presents a reworking of our geographical imaginary of the aesthetic.
Original languageEnglish
Title of host publicationGeographical Aesthetics
Subtitle of host publicationImaging Space, Staging Encounters
EditorsHarriet Hawkins
PublisherAshgate Publishing Limited
ISBN (Print)978-1409448013
Publication statusPublished - 28 Mar 2015

Fingerprint

Dive into the research topics of 'Biostratigraphy and disability art: an introduction to the work of Jon Adams'. Together they form a unique fingerprint.

Cite this