British Cinema 1914-1918

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Abstract

By 1914 cinema as an art form in its own right had established itself in Britain’s existing complex popular culture, rivalling the theatres and music halls in a way which was beginning to worry them. On 20 February 1896 the Lumière brothers had presented a programme of films at the Marlborough Hall on London’s Regent Street. These ‘animated pictures’ were soon incorporated into music hall programmes in London and major cities. By 1899, music hall managers and fairground entertainers were regularly exhibiting films, and in the period 1914–1929 the medium rapidly increased its hold as a socially recognized form of popular entertainment. The fledgling film industry utilized techniques common to existing forms of theatrical entertainment: farce, melodrama and mime were key features, and screenings would often share venues with music hall and variety acts. However, it had soon become apparent that a profit could be made from showing films on their own. In a number of towns theatres and even skating rinks were transformed into cinemas. In April 1914, for example, the Sadler’s Wells Theatre in Clerkenwell, London, which had also served as a music hall, put on its final stage production and reopened a month later as a ‘picture palace’. In this way, cinemas provided continuities of theatrical architecture, décor and related conventions, but film was a distinctly separate medium.
Original languageEnglish
Title of host publicationBritish Theatre and the Great War, 1914-1919
Subtitle of host publicationNew Perspectives
EditorsAndrew Maunder
PublisherPalgrave Macmillan Ltd.
Chapter10
Pages195-212
Number of pages18
Edition1st
ISBN (Electronic)9781137402004
ISBN (Print)9781137401991
DOIs
Publication statusPublished - 23 Aug 2015

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