@inbook{fa3f0ac4b9554aa7a950a66af0c10b54,
title = "Camping it up: jazz's modernity, Reginald Foresythe, Theodor Adorno and the Black Atlantic",
abstract = "This chapter explores the work of the little-known pianist, composer and bandleader Reginald Foresythe (1907-1958) in the context of his unique critical location as a black-British musician within Anglo-American jazz culture and the African diaspora. Foresythe warrants attention for his highly influential yet neglected contribution to 1930s “hot” jazz during a crucial period in which the rapid proliferation and commodification of recorded jazz meant that it increasingly became the focus of searching critique. In this respect, he stands at a fascinating conjunction of three intersecting critical discourses.",
author = "George Burrows",
year = "2014",
language = "English",
isbn = "978-1472417565",
series = "Ashgate popular and folk music series",
publisher = "Ashgate Publishing Limited",
pages = "173--198",
editor = "Jason Toynbee and Catherine Tackley and Mark Doffman",
booktitle = "Black British jazz?",
address = "United Kingdom",
}