Cinematic sound design for players

Tom Alexander Garner

doi:10.4324/9781315106342-1

Cinematic sound design for players

Tom Alexander Garner

School of Creative Technologies

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Abstract

"Cinematic" in any context can be an inconsistent and subjective descriptor. What makes sound or video games cinematic within their individual contexts is already difficult to formally establish before the two are combined to consider cinematic game sound. This chapter draws from relevant theory concerning film, audio signal processing, auditory perception and musical composition with the aim of better understanding the meaning of cinematic game sound in both practical and theoretical terms.

Original language	English
Title of host publication	Foundations of Sound Design for Interactive Media
Subtitle of host publication	A Multidisciplinary Approach
Editors	Michael Filimowicz
Publisher	Routledge
Number of pages	23
Edition	1st
ISBN (Electronic)	9781315106342
ISBN (Print)	9781138093935, 9781138093942
DOIs	https://doi.org/10.4324/9781315106342-1 https://doi.org/10.4324/9781315106342
Publication status	Published - 21 Jun 2019

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Cite this

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Cinematic sound design for players

Abstract

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