Digital Musicology and Stravinsky's Octet

Mark Sexton; Adrian Hull

Digital Musicology and Stravinsky's Octet

Centre for Creative and Immersive XR

Research output: Contribution to conference › Paper

Abstract

The Octet for Wind Instruments (1922-3) marks the beginning of Stravinsky’s neoclassical period. Drawing upon traditional musical form yet utilising diatonic and octatonic pitch structures the work is seminal.

Stravinsky’s music has been subject to a range of analysis, however to our knowledge the application of digital musicology techniques to his music has not been thoroughly investigated.

This conference presentation outlines the adopted digital musicology approaches together with the initial results of melodic and harmonic analysis.

Original language	English
Publication status	Published - 9 Nov 2021
Event	International Society for Music Information Retrieval - Online Duration: 7 Nov 2021 → 12 Nov 2021 https://ismir2021.ismir.net/

Conference

Conference	International Society for Music Information Retrieval
Abbreviated title	ISMIR2021
Period	7/11/21 → 12/11/21
Internet address	https://ismir2021.ismir.net/

Access to Document

https://ismir2021.ismir.net/cfm/

2 Abstract
2 Other
1 Paper

Digital musicology: an analysis of Birtwistle
Hull, A. & Sexton, M., 7 Jul 2023, p. 63-64. 2 p.
Research output: Contribution to conference › Abstract › peer-review

Open Access
Digital musicology: how can digital humanities support creative practice research?
Sexton, M. & Hull, A., 4 Jul 2023.
Research output: Contribution to conference › Other

File
Digital musicology exploration of György Ligeti's Études for piano
Sexton, M. & Miller, M., 19 Oct 2023.
Research output: Contribution to conference › Paper
Exploring Original Cast Recordings through Digital Musicology
Sexton, M., 6 Sept 2023.
Research output: Contribution to conference › Other

Open Access
File
Register and Beethoven's ‘Razumovsky’ Quartet
Miller, M. & Sexton, M., 23 Sept 2023.
Research output: Contribution to conference › Abstract

1 Active

MCO Digital Musicology
Sexton, M. (PI)
9/11/21 → …
Project: Research

Cite this

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title = "Digital Musicology and Stravinsky's Octet",

abstract = "The Octet for Wind Instruments (1922-3) marks the beginning of Stravinsky{\textquoteright}s neoclassical period. Drawing upon traditional musical form yet utilising diatonic and octatonic pitch structures the work is seminal. Stravinsky{\textquoteright}s music has been subject to a range of analysis, however to our knowledge the application of digital musicology techniques to his music has not been thoroughly investigated. This conference presentation outlines the adopted digital musicology approaches together with the initial results of melodic and harmonic analysis.",

author = "Mark Sexton and Adrian Hull",

note = "Potentially part of a multi-component submission to the next REF.; International Society for Music Information Retrieval, ISMIR2021 ; Conference date: 07-11-2021 Through 12-11-2021",

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day = "9",

language = "English",

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T1 - Digital Musicology and Stravinsky's Octet

AU - Sexton, Mark

AU - Hull, Adrian

N1 - Potentially part of a multi-component submission to the next REF.

PY - 2021/11/9

Y1 - 2021/11/9

N2 - The Octet for Wind Instruments (1922-3) marks the beginning of Stravinsky’s neoclassical period. Drawing upon traditional musical form yet utilising diatonic and octatonic pitch structures the work is seminal. Stravinsky’s music has been subject to a range of analysis, however to our knowledge the application of digital musicology techniques to his music has not been thoroughly investigated. This conference presentation outlines the adopted digital musicology approaches together with the initial results of melodic and harmonic analysis.

AB - The Octet for Wind Instruments (1922-3) marks the beginning of Stravinsky’s neoclassical period. Drawing upon traditional musical form yet utilising diatonic and octatonic pitch structures the work is seminal. Stravinsky’s music has been subject to a range of analysis, however to our knowledge the application of digital musicology techniques to his music has not been thoroughly investigated. This conference presentation outlines the adopted digital musicology approaches together with the initial results of melodic and harmonic analysis.

M3 - Paper

T2 - International Society for Music Information Retrieval

Y2 - 7 November 2021 through 12 November 2021

ER -

Digital Musicology and Stravinsky's Octet

Abstract

Conference

Access to Document

Fingerprint

Research output

Digital musicology: an analysis of Birtwistle

Digital musicology: how can digital humanities support creative practice research?

Digital musicology exploration of György Ligeti's Études for piano

Exploring Original Cast Recordings through Digital Musicology

Register and Beethoven's ‘Razumovsky’ Quartet

Projects

MCO Digital Musicology

Cite this