Abstract
This article explores the dystopian presence of Buenos Aires in Roberto Arlt's Los siete locos (The seven madmen) and its companion novel, Los lanzallamas (The flamethrowers). Both belong to a tradition of metropolitan narrative represented in Europe by authors such as Robert Musil, Alfred Döblin and James Joyce. Arlt's work, however, has a distinctive character, since it connects the expectations and anxieties unleashed by modernity with a dystopian imagination which has origins in nineteenth-century Argentina with its raison d'être being profoundly linked to the formation of an Argentine national identity.
| Original language | English |
|---|---|
| Pages (from-to) | 246-265 |
| Number of pages | 20 |
| Journal | Bulletin of Latin American Research |
| Volume | 28 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - Apr 2009 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities
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