Everyday accretions. Drawn with light 2. Light detection drawing on glass. 30 x 20cm. 2022.

Belinda Mitchell

Everyday accretions. Drawn with light 2. Light detection drawing on glass. 30 x 20cm. 2022.

Research output: Non-textual form › Exhibition

Abstract

Belinda Mitchell is a visual artist and academic. Her practice is located in New Materialist thinking through Karen Barad and Jane Bennett and a diffractive methodology. She uses drawing as an expanded practice, as line, thread, movement, conversation, light to rethink architectural representations through everyday actions and material accretions.

Original language	English
Publisher	Loughborough University
Media of output	Online
Publication status	Published - 22 Jun 2022
Event	Ecologies of Drawing: In Situ - Online Duration: 22 Jun 2022 → 22 Jun 2022 https://www.lboro.ac.uk/schools/design-creative-arts/ecologies-of-drawing-in-situ/

Keywords

drawing
ecologies
New Materialism

Access to Document

https://www.lboro.ac.uk/schools/design-creative-arts/ecologies-of-drawing-in-situ/belinda-mitchell/

1 Chapter (peer-reviewed)
1 Exhibition

Matter of the Manor: material assemblages
Mitchell, B., 21 Sept 2021
Research output: Non-textual form › Exhibition

File
Thresholds of the future
Fielder, K. & Mitchell, B., 6 May 2019, Interior Futures. Brooker, G., Harriss, H. & Walker, K. (eds.). Crucible Press, Vol. 3. p. 138-150
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

Open Access

1 Oral presentation

Speaker at the Drawing Research Forum
Mitchell, B. (Speaker)
16 Sept 2022
Activity: Talk or presentation types › Oral presentation

Cite this

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title = "Everyday accretions. Drawn with light 2. Light detection drawing on glass. 30 x 20cm. 2022.",

abstract = "Belinda Mitchell is a visual artist and academic. Her practice is located in New Materialist thinking through Karen Barad and Jane Bennett and a diffractive methodology. She uses drawing as an expanded practice, as line, thread, movement, conversation, light to rethink architectural representations through everyday actions and material accretions.",

keywords = "drawing, ecologies, New Materialism",

author = "Belinda Mitchell",

year = "2022",

month = jun,

day = "22",

language = "English",

publisher = "Loughborough University",

note = "Ecologies of Drawing: In Situ ; Conference date: 22-06-2022 Through 22-06-2022",

url = "https://www.lboro.ac.uk/schools/design-creative-arts/ecologies-of-drawing-in-situ/",

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T1 - Everyday accretions. Drawn with light 2. Light detection drawing on glass. 30 x 20cm. 2022.

AU - Mitchell, Belinda

PY - 2022/6/22

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N2 - Belinda Mitchell is a visual artist and academic. Her practice is located in New Materialist thinking through Karen Barad and Jane Bennett and a diffractive methodology. She uses drawing as an expanded practice, as line, thread, movement, conversation, light to rethink architectural representations through everyday actions and material accretions.

AB - Belinda Mitchell is a visual artist and academic. Her practice is located in New Materialist thinking through Karen Barad and Jane Bennett and a diffractive methodology. She uses drawing as an expanded practice, as line, thread, movement, conversation, light to rethink architectural representations through everyday actions and material accretions.

KW - drawing

KW - ecologies

KW - New Materialism

M3 - Exhibition

PB - Loughborough University

T2 - Ecologies of Drawing: In Situ

Y2 - 22 June 2022 through 22 June 2022

ER -

Everyday accretions. Drawn with light 2. Light detection drawing on glass. 30 x 20cm. 2022.

Abstract

Keywords

Access to Document

Fingerprint

Research output

Matter of the Manor: material assemblages

Thresholds of the future

Activities

Speaker at the Drawing Research Forum

Cite this