Abstract
Through an examination of In-Common Sites, conducted with young people to investigate their relationship with Mousehold Heath in Norwich, this article considers the possibilities of performance to not UK, only represent a spatially defined urban common but also to enact a commons. It is argued that performance is a generative social practice: the ecological potential of both performance and commoning practices lies in their shared commitments to participation, collaboration, and interaction among people and their environments. Starting from the sensory and affective encounters between body and environment, I reflect on contested and entangled acts of human and more-than-human interconnection.
| Original language | English |
|---|---|
| Pages (from-to) | 392-413 |
| Number of pages | 22 |
| Journal | Research in Drama Education |
| Volume | 29 |
| Issue number | 2 |
| Early online date | 7 Jul 2024 |
| DOIs | |
| Publication status | Published - 1 Aug 2024 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 11 Sustainable Cities and Communities
Keywords
- Applied theatre
- urban commons
- young people's performance
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