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Abstract
Post-qualitative research-creation improvisations offer new possibilities to explore method/ology. In this article we question how bags, as seemingly mundane objects, work as ontologically lively matter – as active agencies – to choreograph human-nonhuman relations and heterogeneous materialities. Working from three questions – How might a bag become? What do bags do? What do bags enable and enact? – we discuss four research-creation improvisations and the insights they generated. The article maps how bags choreographies put affects, bodies and materialities into co-motional relations in order to disturb normative approaches to research both within conference sessions and through writing articles.
Original language | English |
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Pages (from-to) | 17-25 |
Number of pages | 9 |
Journal | Qualitative Inquiry |
Volume | 25 |
Issue number | 1 |
Early online date | 9 Apr 2018 |
Publication status | Published - 1 Jan 2019 |
Keywords
- bags
- postqualitative
- research-creation
- choreographie
- thing power
- materialities
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Dive into the research topics of 'Improvising bag choreographies: disturbing normative ways of doing research'. Together they form a unique fingerprint.Activities
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School of Education & Sociology (Organisational unit)
Nikki Fairchild (Chair), Carol A. Taylor (Chair), Mirka Koro (Chair), Angelo Benozzo (Chair), Neil Carey (Chair) & Constanse Elmenhorst (Chair)
1 Jul 2016 → …Activity: Membership types › Membership of network or group