Abstract
The interweave of narrative, materiality and identity defines Catherine Harper’s intellectual and practice obsessions. Her visual, material, performic examination of Northern Irish womanhood, her investigation of both intersex and ‘anatomical drag’, and her concern with fabrics of death and desire, each demonstrate a preoccupation with trying to make sense of the complexities of land, cloth, body and culture.
Original language | English |
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Type | University of Portsmouth published text prior to Professorial Inaugural Lecture |
Media of output | published illustrated text |
Publisher | University of Portsmouth |
Number of pages | 25 |
Place of Publication | Portsmouth |
Publication status | Published - Jan 2016 |
Keywords
- land
- cloth
- body
- culture
- Ireland
- visual art
- catherine harper