Landscape and memory: British televisual representations of the Battle of the Somme

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Abstract

The relationship between landscape and memory is an integral part of the visual design of televisual representations of the First World War. This chapter will show how images of landscape in British television documentaries have been mediated by two levels of representation; (i) the physical landscape of remembrance marked by memorials and cemeteries, which act as portals to (ii) the emotional landscape, a place forever scarred by the events of 1914–18. The physical reminders, memorials and cemeteries, mean that the thousands of tourists that visit the former Western Front are already aware that they are visiting a site that contains the remains of the millions of men who lost their lives during the war. The place names along the former Western Front resonate with meaning and British television documentaries about the war have transferred this resonance to the small screen by utilizing accepted representations of the war’s cultural inheritance to invoke a code to describe the indescribable.
Original languageEnglish
Title of host publicationTelevising History
Subtitle of host publicationMediating the Past in Postwar Europe
EditorsErin Bell, Ann Gray
PublisherPalgrave Macmillan Ltd.
Pages107-121
Number of pages15
ISBN (Electronic)9780230277205
ISBN (Print)9781349307609
DOIs
Publication statusPublished - 19 May 2010

Fingerprint

Dive into the research topics of 'Landscape and memory: British televisual representations of the Battle of the Somme'. Together they form a unique fingerprint.

Cite this