Abstract
This article aims to examines the ways in which nineteenth-century British, Irish and American women writers appropriated and employed classical statuary, and particularly the Pygmalion myth, as a liberatory strategy that allowed them to sculpt their own identities and participate in debates that were both personal and political.
| Original language | English |
|---|---|
| Article number | 0 |
| Pages (from-to) | 1-29 |
| Number of pages | 29 |
| Journal | 19: Interdisciplinary Studies in the Long Nineteenth Century |
| Volume | 2016 |
| Issue number | 22 |
| DOIs | |
| Publication status | Published - 23 Jun 2016 |
Keywords
- American literature
- women's poetry
- Victorian
- Galatea
- Pygmalion
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