Abstract
Michael Balcon is generally recognised for his stewardship of the Ealing Studios from 1939 and the portfolio of highly esteemed films which emerged over the decade 1942-52. Perhaps as a consequence of the critical preoccupation with those films, less attention has been given to his activities as Director of Production of what was Britain's largest film organisation during the 1930s: Gaumont British (G-B). Based upon archive material held by the British Film Institute, The Michael Balcon Special Collection (MBSC) and the US box-office information contained in Variety, this article sets out to redress partly this state of affairs by concentrating on the organisation's efforts, 1934-36, to become a major player in the world film industry; a rival in scale and output of the principal Hollywood studios.
| Original language | English |
|---|---|
| Pages (from-to) | 333-348 |
| Number of pages | 16 |
| Journal | Historical Journal of Film, Radio and Television |
| Volume | 16 |
| Issue number | 3 |
| DOIs | |
| Publication status | Published - 1996 |
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