Mob Culture: Hidden Histories of the American Gangster Film

Esther Sonnet (Editor), Lee Grieveson (Editor), Peter Stanfield (Editor)

    Research output: Book/ReportBook

    Abstract

    Sinister, swaggering, yet often sympathetic, the figure of the gangster has stolen and murdered its way into the hearts of American cinema audiences. Despite the enduring popularity of the gangster film, however, traditional criticism has focused almost entirely on a few canonical movies such as Little Caesar, Public Enemy, and The Godfather trilogy, resulting in a limited and distorted understanding of this diverse and changing genre.

    Mob Culture offers a long-awaited, fresh look at the American gangster film, exposing its hidden histories from the Black Hand gangs of the early twentieth century to The Sopranos. Departing from traditional approaches that have typically focused on the "nature" of the gangster, the editors have collected essays that engage the larger question of how the meaning of criminality has changed over time. Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues.

    Destined to become a classroom favorite, Mob Culture is an indispensable reference for future work in the genre.
    Original languageEnglish
    PublisherRutgers University Press
    Number of pages326
    ISBN (Electronic)978-0-8135-8676-2
    ISBN (Print)0813535565, 978-0-8135-3557-9
    Publication statusPublished - 28 Apr 2005

    Fingerprint

    Dive into the research topics of 'Mob Culture: Hidden Histories of the American Gangster Film'. Together they form a unique fingerprint.

    Cite this