Musicianship above all?: new perspectives towards integrated bel canto performance

Konstantinos Thomaidis

Musicianship above all? new perspectives towards integrated bel canto performance

Konstantinos Thomaidis

Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed)

Abstract

This chapter, stemming from a paper presentation at the biannual Music on Stage Conference on 2013, addresses the implications of mono-disciplinary or discipline-bound approaches to the training of opera singers. The focus is on the example of Experience Vocal Dance Company, which serves as a point of departure towards problematising the contexts and critical frameworks that dictate predominant approaches to the pedagogy of bel canto.

Original language	English
Title of host publication	Music on stage
Editors	Fiona Jane Schopf
Place of Publication	Newcastle
Publisher	Cambridge Scholars Publishing
Pages	245-252
Publication status	Published - 2015

Cite this

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abstract = "This chapter, stemming from a paper presentation at the biannual Music on Stage Conference on 2013, addresses the implications of mono-disciplinary or discipline-bound approaches to the training of opera singers. The focus is on the example of Experience Vocal Dance Company, which serves as a point of departure towards problematising the contexts and critical frameworks that dictate predominant approaches to the pedagogy of bel canto.",

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BT - Music on stage

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Musicianship above all? new perspectives towards integrated bel canto performance

Abstract

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