Abstract
Artistic activism has become a central element for political change in Chile. In 2019, during Chile’s October social outburst, graffiti and muralism were in the centre of the street protests. Taking concepts of memory and prefiguration as a theoretical framework, this article examines how visual artist Fabian Ciraolo created his narratives of Rebellion during October’s social outburst and, in turn, posits the potential of contemporary Chilean graffiti and muralism as a repertoire of political action. This article explores the inspiration that social movements have gained from these types of artistic practices and the role the arts, in general, have had as a new repertoire of political action and engagement in politics in Chile.
| Original language | English |
|---|---|
| Pages (from-to) | 107-122 |
| Number of pages | 15 |
| Journal | Art & the Public Sphere |
| Volume | 13 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 1 Apr 2024 |
Keywords
- Chilean political symbolism
- collective memory
- Latin American cultural movements
- political art
- protest aesthetics
- resistance narratives
- social transformation
- urban visual culture
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