(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in

Benjamin Jonathan Macpherson

doi:10.1386/jivs.1.2.131_1

(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in

Benjamin Jonathan Macpherson

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Abstract

This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That’s Left—a musical that performed imagined conversations between pop-culture icons from ‘The 27 Club’—I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.

Original language	English
Pages (from-to)	131-142
Number of pages	12
Journal	Journal of Interdisciplinary Voice Studies
Volume	1
Issue number	2
DOIs	https://doi.org/10.1386/jivs.1.2.131_1
Publication status	Published - 1 May 2016

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10.1386/jivs.1.2.131_1

Macpherson - 27 Club articleAccepted author manuscript (Post-print), 369 KB

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(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in

Abstract

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