Abstract
In response to the growing imperative for sustainable educational practices, this paper advocates for integrating place-based approaches in design education as a transformative approach within higher education pedagogies.
Reflecting on current design pedagogies, I will share insights gained while teaching on the MA Fashion Artefact (In-person) and developing the new Course for the MA Fashion Artefact in a Low Residency format at the London College of Fashion. Established by Dai Rees in 2007, the course was originally developed from Rees’ own research project ‘Patronage, Artist, Media and Audience: A Model for Twentieth Century Craftsmanship’ (2003) and was grounded in a multidisciplinary studio framework and a unique approach to fashion craftsmanship. From the outset, the course has been characterised by its thematic focus on 'Regional Craftsmanship and Heritage'.
Central to this investigation is the exploration of how the essence of craftsmanship, deeply ingrained in the original course, can be effectively preserved and enhanced in a low-residency setting. By probing questions concerning the symbiotic relationship between the creation process and its geographical context, this study seeks to understand the significance of why an artefact is crafted in a manner consistent with its place of origin.
Furthermore, this paper explores the role of material literacy in supporting educational practices within low residency settings. By leveraging local knowledges, educators can facilitate meaningful interactions with local materials and create immersive learning experiences that transcend geographical boundaries. Through case studies and best practices, this paper highlights the potential of situated knowledges and material-led pedagogies to enhance design education and promote global collaboration towards a more equitable and resilient future. By engaging learners in hands-on, experiential learning activities that emphasise the materiality of their surroundings, educators can empower students to critically examine the environmental implications of their choices and develop innovative solutions to complex sustainability challenges.
This paper argues that material-led low residency study represents a promising paradigm for sustainable higher education, offering a holistic approach to learning that integrates ecological, social, and economic dimensions. By embracing sustainability principles and harnessing the transformative power of materiality, educators can inspire a new generation of environmentall
Reflecting on current design pedagogies, I will share insights gained while teaching on the MA Fashion Artefact (In-person) and developing the new Course for the MA Fashion Artefact in a Low Residency format at the London College of Fashion. Established by Dai Rees in 2007, the course was originally developed from Rees’ own research project ‘Patronage, Artist, Media and Audience: A Model for Twentieth Century Craftsmanship’ (2003) and was grounded in a multidisciplinary studio framework and a unique approach to fashion craftsmanship. From the outset, the course has been characterised by its thematic focus on 'Regional Craftsmanship and Heritage'.
Central to this investigation is the exploration of how the essence of craftsmanship, deeply ingrained in the original course, can be effectively preserved and enhanced in a low-residency setting. By probing questions concerning the symbiotic relationship between the creation process and its geographical context, this study seeks to understand the significance of why an artefact is crafted in a manner consistent with its place of origin.
Furthermore, this paper explores the role of material literacy in supporting educational practices within low residency settings. By leveraging local knowledges, educators can facilitate meaningful interactions with local materials and create immersive learning experiences that transcend geographical boundaries. Through case studies and best practices, this paper highlights the potential of situated knowledges and material-led pedagogies to enhance design education and promote global collaboration towards a more equitable and resilient future. By engaging learners in hands-on, experiential learning activities that emphasise the materiality of their surroundings, educators can empower students to critically examine the environmental implications of their choices and develop innovative solutions to complex sustainability challenges.
This paper argues that material-led low residency study represents a promising paradigm for sustainable higher education, offering a holistic approach to learning that integrates ecological, social, and economic dimensions. By embracing sustainability principles and harnessing the transformative power of materiality, educators can inspire a new generation of environmentall
| Original language | English |
|---|---|
| Pages (from-to) | 131-144 |
| Journal | Making Futures |
| Volume | 9 |
| Publication status | Published - 22 Dec 2025 |
| Event | Making Futures Conference : Beyond Objects: Materiality at the edge of Making - Plymouth , Plymouth, United Kingdom Duration: 17 Oct 2024 → 19 Oct 2024 https://makingfutures.org.uk/ |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 4 Quality Education
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SDG 11 Sustainable Cities and Communities
Keywords
- Sustainable Educational Practices
- Cultural Heritage
- Place-based Approaches
- Material-led Pedagogies
- Regional Craftsmanship
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