Abstract
Taking as our point of departure the Situationist intellectual Guy Debord’s broad characterization of psychogeography—that is, “the study of the precise laws and specific effects of the geographical environment, consciously organized or not, on the emotions and behaviour of individuals”—we argue that our collaborative research project entitled Coast of Teeth (2023) has revealed some coordinates for a new textual-visual psychogeography of English seaside towns. This multidimensional model of psychogeography includes liminal features of littoral spaces that are distinct from those of ‘inland England’ regions that have typically monopolized the attention of mainstream psychogeographers, in addition to some novel metaphorical lenses through which contemporary English seaside towns can be usefully studied. Finally, we explain how our coastal psychogeography has been enabled by a somewhat improvisational, flexible and contingent artistic practice-based methodology that pertains to the disciplines of both written reportage (Tom Sykes) and reportage illustration (Louis Netter).Finally, we explain how our coastal psychogeography has been enabled by a somewhat improvisational, flexible and contingent artistic practice-based methodology that pertains to both our disciplines: written reportage (Tom Sykes) and reportage illustration (Louis Netter).
Original language | English |
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Title of host publication | Silenced Voices and the Media: Who Gets to Speak? |
Editors | James Morrison, Sarah Pedersen |
Publisher | Palgrave Macmillan |
Pages | 213-228 |
Number of pages | 17 |
Edition | 1st |
ISBN (Electronic) | 9783031654039 |
ISBN (Print) | 9783031654022, 9783031654053 |
DOIs | |
Publication status | Published - 5 Oct 2024 |
Keywords
- psychogeography
- illustration
- reportage drawing
- Spatiality
- travel writing
- practice as research