TY - JOUR
T1 - The true picture
T2 - creative writing and critical thinking on Saint Veronica's Cloth
AU - Habens, Alison Ruth
N1 - Alison Habens is the author of Dreamhouse, Lifestory and new novel The True Picture. She is course leader for creative writing at the University of Portsmouth and has a PhD on the subject of 'divine inspiration' in literature. Alison runs Ink:Well, a research project into creative writing for well-being. She lives in an old church on the Isle of Wight and commutes to work by hovercraft.
PY - 2015/9
Y1 - 2015/9
N2 - The True Picture is a new novel based on the myth of Saint Veronica, who isn’t mentioned in the bible but appears at the sixth Station of the Cross in Catholic churches as the woman of Jerusalem who wipes Christ’s face with her cloth. I chose to make her Roman, not Jewish, partly because of her name: Vera Icon is Latin for true image. Roman women didn’t cover their elaborate hairstyles with veils but did carry luxury linen handkerchiefs called sudarium. In this article, I discuss the creative process behind my fictional character of Veronica, conceived as a rich businesswoman working in the purple dye trade in ancient Tyre, who gives up her possessions to follow Jesus. In reconstructing her journey through Galilee to Judaea, around 33 AD, I discovered fascinating research into the different shades of royal purple and biblical blue produced by the same murex sea snails, and the different techniques of dyeing in Phoenician and Jewish traditions. Here, I describe how this background reading informed my novel’s plotline, imagery and historical authenticity.
AB - The True Picture is a new novel based on the myth of Saint Veronica, who isn’t mentioned in the bible but appears at the sixth Station of the Cross in Catholic churches as the woman of Jerusalem who wipes Christ’s face with her cloth. I chose to make her Roman, not Jewish, partly because of her name: Vera Icon is Latin for true image. Roman women didn’t cover their elaborate hairstyles with veils but did carry luxury linen handkerchiefs called sudarium. In this article, I discuss the creative process behind my fictional character of Veronica, conceived as a rich businesswoman working in the purple dye trade in ancient Tyre, who gives up her possessions to follow Jesus. In reconstructing her journey through Galilee to Judaea, around 33 AD, I discovered fascinating research into the different shades of royal purple and biblical blue produced by the same murex sea snails, and the different techniques of dyeing in Phoenician and Jewish traditions. Here, I describe how this background reading informed my novel’s plotline, imagery and historical authenticity.
U2 - 10.1080/14759756.2015.1045203
DO - 10.1080/14759756.2015.1045203
M3 - Article
VL - 13
SP - 284
EP - 295
JO - Textile: The Journal of Cloth & Culture
JF - Textile: The Journal of Cloth & Culture
SN - 1475-9756
IS - 3
ER -