Abstract
This paper draws on and extends the author’s earlier work on the history of the Daily Mail Ideal Home exhibition and suburban modernity in Britain. It contributes to historical research in material culture studies and design history on modernity and domesticity, drawing on contemporary ethnographic methodologies. It explores the ways in which new domestic technologies helped form modern identities for women as housewives and consumers in the inter-war years in Britain. It rejects functionalist critiques of domestic labour-saving technologies by feminists and Modernist design historians. It argues that for many women who lived in the new suburbs the significance of technology was in its symbolism rather than its rational claims to functionalism and efficiency. It posits that although appliances did not necessarily save labour, they enhanced the status of the task, by recognising women’s labour. It argues that domestic appliances were not just valued for their labour-saving potential; they were also valued for the images of modernity that they projected. Moreover, it argues that the motive for the acquisition of appliances could be to participate in a shared sociability.
| Original language | English |
|---|---|
| Title of host publication | Design and Evolution |
| Subtitle of host publication | The Proceedings of the Design History Society annual conference, 2006 |
| Editors | Timo de Rijk |
| Place of Publication | Delft NL |
| Publisher | Design History Society |
| Number of pages | 21 |
| ISBN (Print) | 9789051550320 |
| Publication status | Published - 2006 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
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SDG 9 Industry, Innovation, and Infrastructure
Keywords
- Design history
- History of design
- Domestic appliances
- Domestic advice
- Household appliances
- Housework
- Interwar Britain
- 1930s
- 1920s
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