Abstract
Three surviving stone lecterns are described and analysed in terms of their petrography and sculptural style. The similarity between their petrography strongly suggests that they share a common origin, traceable to a quarry or quarries in the immediate vicinity of Much Wenlock, and that the similarity of sculptural style and dimensions points to them being a product of a single workshop. Furthermore, the authors suggest that the petrographie and stylistic characteristics show striking similarities to the Much Wenlock lavabo, thus adding support to the notion of a Much Wenlock workshop.
| Original language | English |
|---|---|
| Pages (from-to) | 328-339 |
| Number of pages | 12 |
| Journal | Antiquaries Journal |
| Volume | 82 |
| DOIs | |
| Publication status | Published - Sept 2002 |
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