Transnational cinema: mapping a field of study

Deborah Anne Shaw

Transnational cinema: mapping a field of study

Research output: Contribution to conference › Paper › peer-review

Abstract

From 2005 we can identify a transnational momentum in film studies, with the following years seeing some important conceptual and theoretical essays and edited volumes (Bergfelder, 2005, Ezra, and Rowden [eds.], 2006, Durovicová and Newman [eds.], 2009, Hjort, 2009, Higbee and Lim, 2010, Berry, 2010, Shaw, 2013), and the founding of a journal, Transnational Cinemas,in 2010, dedicated to disseminating research in this area. In this paper I present an overview of the history of the transnational in film studies, and consider the ways in which our discipline responded to developments in the social sciences. Following this, I discuss the present state of the field of transnational film studies through an analysis of a selective overview of the SCMS Transnational Cinemas SIG (Scholarly Interest Group) sponsored panels from 2014-2016. I conclude the paper with some thoughts on the present state of the field.

Original language	English
Publication status	Published - 1 Jun 2016
Event	World Cinema and Cosmopolitics Event - Durham University, Durham, United Kingdom Duration: 1 Jun 2016 → 2 Jun 2016 https://www.dur.ac.uk/mlac/research/groups/worldcinema/events/

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Other	World Cinema and Cosmopolitics Event
Country/Territory	United Kingdom
City	Durham
Period	1/06/16 → 2/06/16
Internet address	https://www.dur.ac.uk/mlac/research/groups/worldcinema/events/

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https://www.dur.ac.uk/mlac/research/groups/worldcinema/events/2015-16/

Transnational cinemas: mapping a field of study
Shaw, D., 4 Oct 2017, The Routledge Companion to World Cinema. Stone, R., S. D., Marlow-Mann, A. & Cooke, P. (eds.). Routledge
Research output: Chapter in Book/Report/Conference proceeding › Chapter (peer-reviewed) › peer-review

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@conference{5f5004b47b6e4ad3a1540b631b4bfe66,

title = "Transnational cinema: mapping a field of study",

abstract = "From 2005 we can identify a transnational momentum in film studies, with the following years seeing some important conceptual and theoretical essays and edited volumes (Bergfelder, 2005, Ezra, and Rowden [eds.], 2006, Durovicov{\'a} and Newman [eds.], 2009, Hjort, 2009, Higbee and Lim, 2010, Berry, 2010, Shaw, 2013), and the founding of a journal, Transnational Cinemas,in 2010, dedicated to disseminating research in this area. In this paper I present an overview of the history of the transnational in film studies, and consider the ways in which our discipline responded to developments in the social sciences. Following this, I discuss the present state of the field of transnational film studies through an analysis of a selective overview of the SCMS Transnational Cinemas SIG (Scholarly Interest Group) sponsored panels from 2014-2016. I conclude the paper with some thoughts on the present state of the field.",

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year = "2016",

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day = "1",

language = "English",

note = "World Cinema and Cosmopolitics Event ; Conference date: 01-06-2016 Through 02-06-2016",

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T1 - Transnational cinema

T2 - World Cinema and Cosmopolitics Event

AU - Shaw, Deborah Anne

PY - 2016/6/1

Y1 - 2016/6/1

N2 - From 2005 we can identify a transnational momentum in film studies, with the following years seeing some important conceptual and theoretical essays and edited volumes (Bergfelder, 2005, Ezra, and Rowden [eds.], 2006, Durovicová and Newman [eds.], 2009, Hjort, 2009, Higbee and Lim, 2010, Berry, 2010, Shaw, 2013), and the founding of a journal, Transnational Cinemas,in 2010, dedicated to disseminating research in this area. In this paper I present an overview of the history of the transnational in film studies, and consider the ways in which our discipline responded to developments in the social sciences. Following this, I discuss the present state of the field of transnational film studies through an analysis of a selective overview of the SCMS Transnational Cinemas SIG (Scholarly Interest Group) sponsored panels from 2014-2016. I conclude the paper with some thoughts on the present state of the field.

AB - From 2005 we can identify a transnational momentum in film studies, with the following years seeing some important conceptual and theoretical essays and edited volumes (Bergfelder, 2005, Ezra, and Rowden [eds.], 2006, Durovicová and Newman [eds.], 2009, Hjort, 2009, Higbee and Lim, 2010, Berry, 2010, Shaw, 2013), and the founding of a journal, Transnational Cinemas,in 2010, dedicated to disseminating research in this area. In this paper I present an overview of the history of the transnational in film studies, and consider the ways in which our discipline responded to developments in the social sciences. Following this, I discuss the present state of the field of transnational film studies through an analysis of a selective overview of the SCMS Transnational Cinemas SIG (Scholarly Interest Group) sponsored panels from 2014-2016. I conclude the paper with some thoughts on the present state of the field.

UR - https://www.dur.ac.uk/mlac/research/groups/worldcinema/events/

M3 - Paper

Y2 - 1 June 2016 through 2 June 2016

ER -

Transnational cinema: mapping a field of study

Abstract

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Transnational cinemas: mapping a field of study

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