Who the Earth is for: reframing rural landscapes as collective polities in Leave No Trace and Beasts of the Southern Wild

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)peer-review

Abstract

In the past decade, roughly spanning from the aftermath of the 2008 financial crisis to the beginning of the Covid-19 pandemic, rural poverty and deep poverty rates in the United States have dramatically risen. The impact of the pandemic is set to considerably intensify these inequalities as the decades of neoliberal dismantling of public healthcare and other social institutions leave inhabitants of impoverished rural areas particularly vulnerable. Even before the pandemic, representations of rural landscape in US cinema have sought to spatially visualize the country’s economic, ecological, and political crises under neoliberal capitalism.
Original languageEnglish
Title of host publicationScreening the Crisis
Subtitle of host publicationUS Cinema and Social Change in the Wake of the 2008 Crash
EditorsJuan A. Tarancón, Hilaria Loyo
PublisherBloomsbury Publishing Company
Chapter6
Pages231–244
Number of pages14
Edition1st
ISBN (Electronic)9781501388132, 9781501388149, 9781501388156
ISBN (Print)9781501388125
DOIs
Publication statusPublished - 25 Jul 2022

Keywords

  • US indie cinema
  • film geography
  • Winter's Bone
  • Beasts of the Southern Wild
  • landscape

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