Illustrated British Cookbooks, 1939-1965
: A Close Reading of Cookbook Illustration as Textual Communication and Creative Practice

  • Lorna Kate Sheppard

    Student thesis: Doctoral Thesis

    Abstract

    Whilst there is a substantial body of literature on the history of the cookbook,
    the study of cookbook illustrations has been largely neglected. This thesis
    examines the role of the illustrator and illustration and how they made
    important and distinctive contributions in a selection of key illustrated British
    cookbooks between the years 1939 and 1965. It argues that over these
    twenty-six years illustration changed significantly to reflect significant social
    and cultural changes in Britain. It also examines how illustrators used their
    professional practice to respond to these changes and the methods they used
    to elevate illustration as a form of textual communication. This study thus
    addresses the disparity of and the gap in knowledge in this under-researched
    subject.
    The Introduction provides a summary of the period under investigation
    and why it was chosen, followed by the Literature Review and Methodology in
    Chapter One. Chapter Two goes on to provide an analysis of British
    cookbooks made through a brief historiography up to and including the
    interwar period. Chapter Three offers an analysis of illustrated cookbooks and
    free Ministry of Food cookery leaflets used during the Second World War.
    Chapter Four’s focus on the cookbooks of Elizabeth David shows how John
    Minton’s and Renato Guttuso’s illustrations inspired middle-class readers to
    look beyond David’s cookbooks and expand their culinary horizons through
    travel and touristic experiences. Through an analysis of the work of Alan
    Cracknell, David Gentleman and Juliet Renny, Chapter Five explores how
    illustrators applied techniques that were drawn from their own scholarly
    experiences where the reader became a culinary scholar. Chapter Six
    investigates the post-rationing cookbooks of the Stork Margarine Cookery
    Service and how anonymously authored illustrations were used as marketing
    devices to appeal to working-class consumers. Chapter Seven examines the
    cookbooks of writer and illustrator Len Deighton whose predominately male
    readers were instructed in how to cook using a simplified recipe method called
    the cookstrip. These chapters reveal how illustration played an important role
    in the development of the British cookbook and its meaning, and how
    illustration enhanced and established the reader’s understanding of recipes.
    Date of Award16 May 2023
    Original languageEnglish
    Awarding Institution
    • University of Portsmouth
    SupervisorDeborah Sugg Ryan (Supervisor) & Laurel Forster (Supervisor)

    Cite this

    '