(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in
Research output: Contribution to journal › Article › peer-review
This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That’s Left—a musical that performed imagined conversations between pop-culture icons from ‘The 27 Club’—I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.
| Original language | English |
|---|---|
| Pages (from-to) | 131-142 |
| Number of pages | 12 |
| Journal | Journal of Interdisciplinary Voice Studies |
| Volume | 1 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 1 May 2016 |
Documents
- Macpherson - 27 Club article
Accepted author manuscript (Post-print), 369 KB, PDF document
Links
Related information
ID: 3486870
