(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in
Research output: Contribution to journal › Article › peer-review
This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That’s Left—a musical that performed imagined conversations between pop-culture icons from ‘The 27 Club’—I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.
|Number of pages||12|
|Journal||Journal of Interdisciplinary Voice Studies|
|Publication status||Published - 1 May 2016|
- Macpherson - 27 Club article
Accepted author manuscript (Post-print), 369 KB, PDF document