Skip to content
Back to outputs

(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in

Research output: Contribution to journalArticlepeer-review

Standard

(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in. / Macpherson, Benjamin Jonathan.

In: Journal of Interdisciplinary Voice Studies, Vol. 1, No. 2, 01.05.2016, p. 131-142.

Research output: Contribution to journalArticlepeer-review

Harvard

APA

Vancouver

Author

Macpherson, Benjamin Jonathan. / (Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in. In: Journal of Interdisciplinary Voice Studies. 2016 ; Vol. 1, No. 2. pp. 131-142.

Bibtex

@article{9ba5e8019f424fa29464019d957d10ef,
title = "(Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in",
abstract = "This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That{\textquoteright}s Left—a musical that performed imagined conversations between pop-culture icons from {\textquoteleft}The 27 Club{\textquoteright}—I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.",
author = "Macpherson, {Benjamin Jonathan}",
year = "2016",
month = may,
day = "1",
doi = "10.1386/jivs.1.2.131_1",
language = "English",
volume = "1",
pages = "131--142",
journal = "Journal of Interdisciplinary Voice Studies",
issn = "2057-0341",
publisher = "Intellect Ltd",
number = "2",

}

RIS

TY - JOUR

T1 - (Re)authoring the 27 club: bewildered voices, acousmatic audiophilia, and the dangers of listening-in

AU - Macpherson, Benjamin Jonathan

PY - 2016/5/1

Y1 - 2016/5/1

N2 - This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That’s Left—a musical that performed imagined conversations between pop-culture icons from ‘The 27 Club’—I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.

AB - This article considers the limits, layers and potential of vocal mimesis in the creation and performance of a new musical theatre work. Reflecting on the process and production of All That’s Left—a musical that performed imagined conversations between pop-culture icons from ‘The 27 Club’—I offer three readings of vocal mimesis as an act that constructs a space of plural and paradoxical possibilities.

U2 - 10.1386/jivs.1.2.131_1

DO - 10.1386/jivs.1.2.131_1

M3 - Article

VL - 1

SP - 131

EP - 142

JO - Journal of Interdisciplinary Voice Studies

JF - Journal of Interdisciplinary Voice Studies

SN - 2057-0341

IS - 2

ER -

ID: 3486870