Skip to content

"Through the trees"

Research output: Contribution to specialist publicationArticle

While productions of Stephen Sondheim and James Lapine’s fairy-tale compilation musical often focus on the going “into” the woods, the Théâtre du Châtelet’s French national premiere of Into the Woods (April 1-12, 2014), directed by Lee Blakeley, focused on “the woods.” Designed by Alex Eales, the vast revolving stage featured a forest and hilly terrain, complete with giant trees stretching into the flies. The massive scale made the characters vulnerable emotionally as they negotiated wishes and desires. And often more poignantly,
it challenged them physically in their struggles, as choreographed by Lorena Randi. A needlepoint front curtain (depicting the houses of the Baker, Cinderella and Jack, and bearing the musical’s first line, “Once upon a time”) belied the dangers and obstacles ahead, while Mark Bouman’s costumes helped to camouflage and reveal characters in the shadowy woods.
Original languageEnglish
Pages165-262
Number of pages97
Volume20
JournalThe Sondheim Review
Publication statusPublished - Oct 2014

Related information

Relations Get citation (various referencing formats)

ID: 3194393