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"Through the trees"

Research output: Contribution to specialist publicationArticle

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"Through the trees". / MacDonald, Laura Emily.

In: The Sondheim Review, Vol. 20, 10.2014, p. 165-262.

Research output: Contribution to specialist publicationArticle

Harvard

MacDonald, LE 2014, '"Through the trees"' The Sondheim Review, vol. 20, pp. 165-262.

APA

MacDonald, L. E. (2014). "Through the trees". The Sondheim Review, 20, 165-262.

Vancouver

MacDonald LE. "Through the trees". The Sondheim Review. 2014 Oct;20:165-262.

Author

MacDonald, Laura Emily. / "Through the trees". In: The Sondheim Review. 2014 ; Vol. 20. pp. 165-262.

Bibtex

@misc{2c4f33cf09d7425cbf78bacf9625ef5a,
title = "{"}Through the trees{"}",
abstract = "While productions of Stephen Sondheim and James Lapine{\textquoteright}s fairy-tale compilation musical often focus on the going “into” the woods, the Th{\'e}{\^a}tre du Ch{\^a}telet{\textquoteright}s French national premiere of Into the Woods (April 1-12, 2014), directed by Lee Blakeley, focused on “the woods.” Designed by Alex Eales, the vast revolving stage featured a forest and hilly terrain, complete with giant trees stretching into the flies. The massive scale made the characters vulnerable emotionally as they negotiated wishes and desires. And often more poignantly,it challenged them physically in their struggles, as choreographed by Lorena Randi. A needlepoint front curtain (depicting the houses of the Baker, Cinderella and Jack, and bearing the musical{\textquoteright}s first line, “Once upon a time”) belied the dangers and obstacles ahead, while Mark Bouman{\textquoteright}s costumes helped to camouflage and reveal characters in the shadowy woods.",
keywords = "Musical Theatre, Broadway, Westend",
author = "MacDonald, {Laura Emily}",
year = "2014",
month = oct,
language = "English",
volume = "20",
pages = "165--262",
journal = "The Sondheim Review",

}

RIS

TY - GEN

T1 - "Through the trees"

AU - MacDonald, Laura Emily

PY - 2014/10

Y1 - 2014/10

N2 - While productions of Stephen Sondheim and James Lapine’s fairy-tale compilation musical often focus on the going “into” the woods, the Théâtre du Châtelet’s French national premiere of Into the Woods (April 1-12, 2014), directed by Lee Blakeley, focused on “the woods.” Designed by Alex Eales, the vast revolving stage featured a forest and hilly terrain, complete with giant trees stretching into the flies. The massive scale made the characters vulnerable emotionally as they negotiated wishes and desires. And often more poignantly,it challenged them physically in their struggles, as choreographed by Lorena Randi. A needlepoint front curtain (depicting the houses of the Baker, Cinderella and Jack, and bearing the musical’s first line, “Once upon a time”) belied the dangers and obstacles ahead, while Mark Bouman’s costumes helped to camouflage and reveal characters in the shadowy woods.

AB - While productions of Stephen Sondheim and James Lapine’s fairy-tale compilation musical often focus on the going “into” the woods, the Théâtre du Châtelet’s French national premiere of Into the Woods (April 1-12, 2014), directed by Lee Blakeley, focused on “the woods.” Designed by Alex Eales, the vast revolving stage featured a forest and hilly terrain, complete with giant trees stretching into the flies. The massive scale made the characters vulnerable emotionally as they negotiated wishes and desires. And often more poignantly,it challenged them physically in their struggles, as choreographed by Lorena Randi. A needlepoint front curtain (depicting the houses of the Baker, Cinderella and Jack, and bearing the musical’s first line, “Once upon a time”) belied the dangers and obstacles ahead, while Mark Bouman’s costumes helped to camouflage and reveal characters in the shadowy woods.

KW - Musical Theatre

KW - Broadway

KW - Westend

M3 - Article

VL - 20

SP - 165

EP - 262

JO - The Sondheim Review

JF - The Sondheim Review

ER -

ID: 3194393