Time-specificity of performance
Research output: Contribution to journal › Article › peer-review
This article develops a notion of time-specificity of performance. It begins by taking a temporal approach to performance through the philosophy of Henri Bergson. It looks at three artists/collectives: Tehching Hsieh; Every House Has a Door and Janez Janša, Janez Janša and Janez Janša. Their practices play with notions of the present, past and future, and by doing so set new terms for a temporal aesthetics of experience. Time-specificity opens up reconsiderations of pivotal notions within performance such as repetition, documentation and freedom.
|Number of pages||15|
|Publication status||Published - 1 Dec 2014|
Accepted author manuscript (Post-print), 267 KB, PDF document